translation: enjoy the “ai as your copilot” phase while it lasts. dario amodei goes on a podcast and basically says we are in the centaur era of software engineering. half human, half machine. like in chess after deep blue beat kasparov. for a while, human plus ai could outperform either alone. then that window closed. machines pulled ahead. humans became spectators. his argument is that software is going through the same pattern. right now developers with ai tools are more productive. demand might even increase temporarily. everyone feels empowered. faster commits. smarter autocomplete. fewer stack overflow tabs. but according to him, that hybrid advantage may be short lived. once models get good enough, the human layer stops being leverage and starts being latency. white collar disruption stops being theoretical at that point. not dramatic layoffs overnight. just gradual irrelevance. fewer junior roles. less need for large teams. one engineer supervising what used to require ten. th...

szoboszlai scored a brilliant free-kick goal. one of the best free-kick goals of recent years.

the idea that classical music can positively influence cognitive abilities can be traced back to the "mozart effect" hypothesis proposed by researcher dr. alfred a. tomatis in 1991. according to this theory, listening to mozart's music temporarily boosts spatial-temporal reasoning skills. however, subsequent studies have presented mixed findings and raised questions about the extent of this effect. several scientific studies have examined the relationship between classical music and cognitive abilities, using rigorous methodologies to measure the impact. it is important to note that while some studies have reported positive associations, the overall consensus in the scientific community remains inconclusive. mozart effect: one of the most well-known studies investigating the impact of classical music on cognitive abilities is the 1993 study by rauscher, shaw, and ky. they found that college students who listened to mozart's music for ten minutes before performing spatial-temporal task...

i keep seeing conflicting answers about this.. some say helvetica is free if it comes with your system, others say you need a paid license for any commercial work? what’s the real situation here?

beethoven is that rare figure who makes you question whether talent alone explains anything. born in 1770, bonn. moved to vienna, absorbed the classical tradition of haydn and mozart, then basically blew it open from the inside. early works are elegant, controlled, very much within the classical framework. then the middle period hits and suddenly you get the eroica. symphonies that sound like someone wrestling with fate itself. the fifth is not just “da da da daa.” it is tension, defiance, architecture. the ninth is even more absurd. a symphony that ends with a choir singing about universal brotherhood. in 1824. completely unhinged ambition. and yes, the deafness. that part always gets romanticized, but strip away the myth and it is brutal. a composer losing his hearing, isolated, irritable, difficult. yet the late string quartets and piano sonatas are almost abstract, decades ahead of their time. music that feels like it was written for the 20th century. personality wise, not charmin...

chopin is what happens when the piano stops being an instrument and turns into a confession booth. born in poland, spent most of his adult life in paris, sickly, introverted, allergic to loud heroics. while others were writing symphonies to shake empires, he sat at the piano and wrote pieces that feel almost uncomfortably personal. no big orchestral drama. just nocturnes, preludes, mazurkas, polonaises. small forms, massive emotional weight. the left hand keeps the structure intact while the right hand basically bleeds. technically refined, emotionally fragile. you do not listen to chopin to feel powerful. you listen when it is 2 am and your thoughts are louder than they should be.

gorillaz is basically damon albarn’s long running side project turned global phenomenon, created in 1998 with artist jamie hewlett. on paper it’s a “virtual band” made up of four animated members: 2-d, murdoc, noodle and russel. in reality, albarn is the musical brain, constantly collaborating with different artists while the cartoon universe carries the visual identity. it started as a way for albarn to escape the britpop shadow of blur and experiment with hip hop, electronic, dub and world music. the debut album blew up with “clint eastwood,” and demon days made them massive thanks to “feel good inc.” after that came concept heavy projects like plastic beach, the tour recorded the fall, the guest packed humanz, the more stripped back the now now, the episodic song machine, and cracker island. they’ve always played with the idea of performance too, sometimes hiding the live band, sometimes projecting the animated characters, sometimes just going full traditional concert mode. one gra...

you read it once. fine. read it again. why did you phrase it like that. does it sound cold. too eager. passive aggressive. the other person probably glanced at it for two seconds and moved on with their life. meanwhile you are conducting a full linguistic autopsy.

turning minor inconveniences into character development arcs. missed a deadline. suddenly you are a misunderstood genius ahead of your time. bad relationship. clearly you love too deeply for this shallow world. it is easier to aestheticize the pain than to admit you just made poor decisions.

of course it was going to end up here. ai models are eating electricity like there is no tomorrow, grids are stressed, energy debates everywhere. solution. just move the servers to space. apparently earth is getting too small for our compute needs. spacex confirms it is pulling xai fully into the fold. musk merging his toys again, valuation casually floating around 1.25 trillion dollars before a potential ipo. and right after that, an application to launch up to a million satellites. not for internet this time. orbital data centers. powered by almost uninterrupted solar energy. the pitch is simple. in space you get constant sun, no local grid constraints, theoretically infinite scaling. musk openly saying space based ai is the only way to scale long term and could become the most economically logical location within three years. so now the future is not just ai replacing jobs. it is ai running from orbit. next step probably arguing about server latency between earth and space while y...

i open netflix, scroll for 20 minutes, close it, rewatch something i’ve already seen. infinite choice somehow makes everything feel mid.

without debate, it’s the caramel-filled milka. when you find it, buy 250 of them and stock up. save them for both hard times and good times. if you’re short on money, sell your organs, go into debt, take out a loan, do whatever it takes.